{"id":3919,"date":"2015-10-26T20:18:01","date_gmt":"2015-10-26T20:18:01","guid":{"rendered":"http:\/\/lama.fileli.unipi.it\/?p=3919"},"modified":"2015-10-26T20:19:35","modified_gmt":"2015-10-26T20:19:35","slug":"convegno-internazionale-performance-and-mimesis-lyon-5-7-novembre-2015","status":"publish","type":"post","link":"https:\/\/lama.fileli.unipi.it\/en\/convegno-internazionale-performance-and-mimesis-lyon-5-7-novembre-2015\/","title":{"rendered":"International Conference &#8220;Performance and mimesis&#8221;, Lyon, November 5-7 2015"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>\u00abPerformance et mimesis. Variations sur la lyrique cultuelle de la Gr\u00e8ce archa\u00efque au Haut Empire romain\u00bb<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong>Lyon, on November 5-7.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Jeudi 5 novembre 2015.\u00a0Site Buisson : salle de conf\u00e9rences.<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><em>Matin<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">9h15-9h30 : Accueil des participants.<\/p>\n<p style=\"text-align: justify;\">9h30-9h45 : Ouverture du colloque par B. Delignon, N. Le Meur et O. Th\u00e9venaz<\/p>\n<p style=\"text-align: justify;\">9h45-10h30 : Giambattista D\u2019ALESSIO (Universit\u00e9 de Naples) : \u00ab Performance, Mimesis and Fiction : the Case of Sappho \u00bb.<\/p>\n<p style=\"text-align: justify;\">10h30-11h15 : Lucia ATHANASSAKI (Universit\u00e9 de Cr\u00e8te) : \u00ab Choral celebrations: Representations and mimesis \u00bb.<\/p>\n<p style=\"text-align: justify;\">11h30-12h15 : David BOUVIER (Universit\u00e9 de Lausanne) : \u00ab Quand la po\u00e9sie r\u00e9invente le rituel. A propos du P\u00e9an 6 de Pindare\u00bb.<\/p>\n<p style=\"text-align: justify;\">12h15-13h : Nadine LE MEUR (ENS de Lyon) : \u00ab Dithyrambe et musique : le cas particulier du fr. 70b de Pindare \u00bb.<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><em>Apr\u00e8s-midi<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">14h30-15h15 : Jenny STRAUSS CLAY (Universit\u00e9 de Virginie) : \u00ab Dithyrambic Evasions: Horace 2. 19 and 3.25 \u00bb.<\/p>\n<p style=\"text-align: justify;\">15h15-16h : Maryse SCHILLING (Universit\u00e9 de Strasbourg) : \u00ab &#8220;Ego dis amicum (\u2026) reddidi carmen&#8221; (Odes IV, 6) : la tradition hymnique grecque revisit\u00e9e par Horace et ses enjeux po\u00e9tiques, cultuels et politiques \u00bb.<\/p>\n<p style=\"text-align: justify;\">16h15-17h : Maxime PIERRE (Universit\u00e9 Paris VII &#8211; Denis Diderot) : \u00ab D\u2019un char \u00e0 l\u2019autre : reconfiguration religieuse et culturelle de la Deuxi\u00e8me Olympique de Pindare dans l\u2019Ode I, 12 d\u2019Horace \u00bb.<\/p>\n<p style=\"text-align: justify;\">17h-17h45 : Lauren CURTIS (Bard College, NY) : \u00ab Dancing for Diana: Propertius\u2019 Cynthia, Horace\u2019s Licymnia, and the Rewriting of Cultic Choreia in Augustan Rome \u00bb.<\/p>\n<p style=\"text-align: justify;\">17h45-18h30 : Christophe CUSSET (ENS de Lyon) : \u00ab Hymnes mim\u00e9tiques de Callimaque et performances cultuelles chant\u00e9es dans les Argonautiques \u00bb.<\/p>\n<p style=\"text-align: justify;\"><strong>Vendredi 6 novembre 2015.\u00a0Site Buisson : salle de conf\u00e9rences<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><em>Matin<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">9h30-10h15 : Claude CALAME (EHESS) : \u00ab Le m\u00e9los choral dans l&#8217;orchestra du th\u00e9\u00e2tre attique: performance et pragmatique tragiques des formes hymniques (Euripide, Ion) \u00bb.<\/p>\n<p style=\"text-align: justify;\">10h15-11h : Luigi BATTEZZATO (Universit\u00e9 du Pi\u00e9mont Oriental) : \u00ab Songs for Apollo and choral identity in the Hecuba of Euripides \u00bb.<\/p>\n<p style=\"text-align: justify;\">11h15-12h : Anne-Sophie NO\u00cbL (lyc\u00e9e Guillaume le Conqu\u00e9rant, Lillebonne\/CHS, Washington) : \u00ab Comment parler \u00e0 un objet ? \u00c9tude comparative des adresses aux objets inanim\u00e9s dans la po\u00e9sie hymnique et le th\u00e9\u00e2tre classique ath\u00e9nien \u00bb.<\/p>\n<p style=\"text-align: justify;\">12h-12h45 : William FURLEY, (Universit\u00e9 de Heidelberg) : \u00ab A new fragment of cult lyric from the Red Sea \u00bb.<\/p>\n<p style=\"text-align: justify;\"><em>Apr\u00e8s-midi<\/em><\/p>\n<p style=\"text-align: justify;\">14h15-15h : Pascale BRILLET (Universit\u00e9 Lumi\u00e8re-Lyon 2) et Richard BOUCHON (Universit\u00e9 Lumi\u00e8re-Lyon 2) : \u00ab Figures de l&#8217;hospitalit\u00e9 dans le P\u00e9an de Philodamos \u00bb.<\/p>\n<p style=\"text-align: justify;\">15h-15h45 : Ian RUTHERFORD (Universit\u00e9 de Reading) : \u00ab Agonistic paeans: the case of Roman Termessos \u00bb.<\/p>\n<p style=\"text-align: justify;\">16h-16h45 : Mich\u00e8le LOWRIE (Universit\u00e9 de Chicago) : \u00ab RhY\/ThM and Cato\u2019s Hymn to Mars \u00bb.<\/p>\n<p style=\"text-align: justify;\">16h45-17h30 : Ewen BOWIE (Corpus Christi College, Oxford) : \u00ab Singing Rome: 2nd century BC &#8211; 2nd century AD \u00bb.<\/p>\n<p style=\"text-align: justify;\"><strong>Samedi 7 novembre 2015.\u00a0Site Descartes : salle F 04.<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><em>Matin<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">9h30-10h15 : Chris CAREY (University College London) : \u00ab Cult song relocated: Seneca&#8217;s tragic hymns \u00bb.<\/p>\n<p style=\"text-align: justify;\">10h15-11h : Pascale PAR\u00c9-REY (Universit\u00e9 Jean Moulin-Lyon 3) : \u00ab Performance et mimesis des formes hymniques dans les trag\u00e9dies de S\u00e9n\u00e8que \u00bb.<\/p>\n<p style=\"text-align: justify;\">11h15-12h : Olivier TH\u00c9VENAZ (Universit\u00e9 de Lausanne) : \u00ab Lucidum caeli decus : l\u2019hymne \u00e0 Bacchus de S\u00e9n\u00e8que (\u0152dipe, v. 403\u2013508) comme r\u00e9flexion sur les aspects cultuels de la lyrique chez Horace et dans la trag\u00e9die \u00bb.<\/p>\n<p style=\"text-align: justify;\">12h-12h45 : Richard HUNTER (Universit\u00e9 de Cambridge) : \u00ab Arion re-imagined \u00bb.<\/p>\n<p style=\"text-align: justify;\">12h45-13h : conclusion du colloque.<\/p>\n<p style=\"text-align: justify;\">Ulteriori informazioni:<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.ens-lyon.eu\/actualites\/performance-et-mimesis-variations-sur-la-lyrique-cultuelle-de-la-grece-archaique-au-haut-empire-romain-281150.kjsp?RH=ENS-LYON-FR-AGENDA\">http:\/\/www.ens-lyon.eu\/actualites\/performance-et-mimesis-variations-sur-la-lyrique-cultuelle-de-la-grece-archaique-au-haut-empire-romain-281150.kjsp?RH=ENS-LYON-FR-AGENDA<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abPerformance et mimesis. Variations sur la lyrique cultuelle de la Gr\u00e8ce archa\u00efque au Haut Empire romain\u00bb Lyon, on November 5-7. Jeudi 5 novembre 2015.\u00a0Site Buisson&#46;&#46;&#46;<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-3919","post","type-post","status-publish","format-standard","hentry","category-conferenze"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["it","en","fr"],"languages":{"it":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/3919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/comments?post=3919"}],"version-history":[{"count":3,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/3919\/revisions"}],"predecessor-version":[{"id":3922,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/3919\/revisions\/3922"}],"wp:attachment":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/media?parent=3919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/categories?post=3919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/tags?post=3919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}