{"id":7716,"date":"2020-09-28T12:41:50","date_gmt":"2020-09-28T11:41:50","guid":{"rendered":"http:\/\/lama.fileli.unipi.it\/?p=7716"},"modified":"2020-09-28T12:46:05","modified_gmt":"2020-09-28T11:46:05","slug":"f-boschetti-g-mugelli-il-metodo-euporia-per-creare-nuovi-archivi-digitali-sulla-tragedia-greca-ancient-greek-theatre-in-the-digital-age-bari-2020","status":"publish","type":"post","link":"https:\/\/lama.fileli.unipi.it\/en\/f-boschetti-g-mugelli-il-metodo-euporia-per-creare-nuovi-archivi-digitali-sulla-tragedia-greca-ancient-greek-theatre-in-the-digital-age-bari-2020\/","title":{"rendered":"F. Boschetti, G. Mugelli: Il metodo Euporia per creare nuovi archivi digitali sulla tragedia greca @ \u00abAncient Greek Theatre In The Digital Age\u00bb (Bari 2020)"},"content":{"rendered":"<div style=\"text-align: center;\">International Online Conference<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div>\n<div style=\"text-align: center;\" align=\"center\"><b><i>Ancient Greek Theatre in the Digital Age<\/i><\/b><\/div>\n<div style=\"text-align: center;\" align=\"center\"><\/div>\n<div style=\"text-align: center;\" align=\"center\">September 28th-29th 2020<\/div>\n<div style=\"text-align: center;\" align=\"center\"><\/div>\n<div style=\"text-align: center;\" align=\"center\"><strong>GMEET ROOM:\u00a0<a href=\"http:\/\/meet.google.com\/bjn-uoum-ymi\">meet.google.com\/bjn-uoum-ymi<\/a><\/strong><\/div>\n<div style=\"text-align: center;\" align=\"center\"><\/div>\n<div align=\"center\"><a href=\"http:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Schermata-2020-09-28-alle-14.38.33.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7717 size-full\" src=\"http:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Schermata-2020-09-28-alle-14.38.33.png\" alt=\"\" width=\"794\" height=\"503\" srcset=\"https:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Schermata-2020-09-28-alle-14.38.33.png 794w, https:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Schermata-2020-09-28-alle-14.38.33-300x190.png 300w, https:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Schermata-2020-09-28-alle-14.38.33-768x487.png 768w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/a><\/div>\n<div align=\"center\"><\/div>\n<div style=\"text-align: center;\" align=\"center\">***<\/div>\n<div style=\"text-align: center;\" align=\"center\"><\/div>\n<div style=\"text-align: center;\"><strong>Organisers<\/strong><\/div>\n<div style=\"text-align: center;\">Sabina Castellaneta (Bari), Nadia Rosso (Piemonte Orientale)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Scientific commettee<\/strong><\/div>\n<div style=\"text-align: center;\">Francesco Carpanelli (Torino), Giorgio Ieran\u00f2 (Trento),\u00a0Fiona Macintosh (Oxford),\u00a0Massimo Magnani (Parma),<\/div>\n<div style=\"text-align: center;\">Anna Novokhatko (Thessaloniki),\u00a0Luigi Todisco (Bari), Bernhard Zimmermann\u00a0(Freiburg)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Keynote discussants<\/strong><\/div>\n<div style=\"text-align: center;\">Luigi Battezzato (Piemonte Orientale), Olimpia Imperio (Bari)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Keynote speakers<\/strong><\/div>\n<div style=\"text-align: center;\">Andreas Bagordo (Freiburg), Fiona Macintosh (Oxford)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div>\n<div style=\"text-align: center;\">The international online conference\u00a0<em>Ancient Greek Theatre in the Digital Age<\/em>\u00a0(28-29th September 2020) aims to investigate the potentials and limits of the digital tool for the study of Greek Theatre: the speakers will reflect on the digital challenge for the analysis of Greek theatrical texts, surviving and fragmentary, and of the theatrical phenomenon in its totality, by presenting experiences undertaken, project proposals and research perspectives relating to digital editions, digital lexicons, distance teaching, digital archives.<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">The scientific meeting is organized by the University of Bari and will be held online (<a href=\"https:\/\/meet.google.com\/bjn-uoum-ymi\"><strong>meet.google.com\/<\/strong><\/a><a href=\"https:\/\/meet.google.com\/bjn-uoum-ymi\"><strong>bjn-uoum-ymi<\/strong><\/a>), in collaboration with the University of Piemonte Orientale and the Inter-University Centre for \u201cStudi sulla Tradizione\u201d. This session is part of the Widespread Conference on Ancient Drama promoted by the \u201cCentro Studi sul Teatro Classico\u201d of University of Turin.<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong><span style=\"font-family: lucida sans unicode, lucida grande, sans-serif;\">CONFERENCE PROGRAMME<\/span><\/strong><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><u><strong>September 28th<\/strong><\/u><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">9.30<\/div>\n<div style=\"text-align: center;\">Stefano Bronzini (Rettore Uniba),\u00a0Davide Canfora (Direttore LeLiA &#8211; Uniba)<\/div>\n<div style=\"text-align: center;\"><em>Institutional greetings<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">10.00<\/div>\n<div style=\"text-align: center;\">Olimpia Imperio (Bari),\u00a0Bernhard Zimmermann (Freiburg)<\/div>\n<div style=\"text-align: center;\"><em>Conference opening<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Digital editions<\/strong><\/div>\n<div style=\"text-align: center;\">Chair: Francesco Carpanelli (Torino)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">10.30<\/div>\n<div style=\"text-align: center;\">Sabina Castellaneta, Nadia Rosso, Lorenza Savignago (Bari, Piemonte Orientale, Trieste)<\/div>\n<div style=\"text-align: center;\"><em>DEFrAG-Tragedy: edizione critica digitale, dinamica e collaborativa dei frammenti tragici<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">11.00<\/div>\n<div style=\"text-align: center;\">Timothy J. Moore, Jennifer McLish (St. Louis, Ann Arbor)<\/div>\n<div style=\"text-align: center;\"><em>An online database of Greek dramatic meters<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">11.30<\/div>\n<div style=\"text-align: center;\">Menico Caroli (Foggia)<\/div>\n<div style=\"text-align: center;\"><em>Per un\u2019edizione digitale dell\u2019<\/em>Ippolito Kalypt\u00f3menos\u00a0<em>di Euripide<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">12.00<\/div>\n<div style=\"text-align: center;\">Lorenzo Sardone (San Marino)<\/div>\n<div style=\"text-align: center;\"><em>Un nuovo testimone dell\u2019<\/em>Aiace<em>\u00a0sofocleo e le potenzialit\u00e0 della ricostruzione digitale<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Keynote lecture<\/strong><\/div>\n<div style=\"text-align: center;\">15.30<\/div>\n<div style=\"text-align: center;\">Andreas Bagordo (Freiburg)<\/div>\n<div style=\"text-align: center;\"><em>Sperimentando l&#8217;iperframmento comico (riflessioni dal laboratorio KomFrag)<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Digital lexicons<\/strong><\/div>\n<div style=\"text-align: center;\">Chair: Anna Novokhatko (Thessaloniki\/Freiburg)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">16.00<\/div>\n<div style=\"text-align: center;\">Elena Fabbro, Elena Bonollo (Udine)<\/div>\n<div style=\"text-align: center;\"><em>Finanze pubbliche e ricchezza privata nella commedia greca: per un archivio digitale<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">16.30<\/div>\n<div style=\"text-align: center;\">Virginia Mastellari, Beatrice Gavazza, Leon Glaser (Freiburg)<\/div>\n<div style=\"text-align: center;\"><em>Lessico degli oggetti dalla commedia greca. Presentazione di un nuovo database<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">17.00<\/div>\n<div style=\"text-align: center;\">Mario Regali (Napoli)<\/div>\n<div style=\"text-align: center;\"><em>Lessico Digitale della Commedia Greca (LDCG): testo, scena, ricezione<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">17.30<\/div>\n<div style=\"text-align: center;\">Carmela Roscino (Bari)<\/div>\n<div style=\"text-align: center;\"><em>Skeu\u00e9 online: per un lessico digitale del costume teatrale nell\u2019iconografia greca e magnogreca<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><u><strong>September 29th<\/strong><\/u><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Distance teaching<\/strong><\/div>\n<div style=\"text-align: center;\">Chair: Massimo Magnani (Parma)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">10.00<\/div>\n<div style=\"text-align: center;\">Chris Blackwell, Francesco Mambrini (Furman, Milano)<\/div>\n<div style=\"text-align: center;\"><em>Teaching Oedipus Tyrannos with an integrated digital edition during a pandemic<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">10.30<\/div>\n<div style=\"text-align: center;\">Anastasia Bakogianni, Declan Patrick (New Zealand)<\/div>\n<div style=\"text-align: center;\"><em>\u2018Where is the body?\u2019: performing Iphigenia at Aulis online in a New Zealand context<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">11.00<\/div>\n<div style=\"text-align: center;\">Ronald Blankenborg (Nijmegen)<\/div>\n<div style=\"text-align: center;\"><em>Changing the mask: formative teaching of ancient Greek Theatre in the digital age<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">11.30<\/div>\n<div style=\"text-align: center;\">Hallie Marshall (British Columbia)<\/div>\n<div style=\"text-align: center;\"><em>Barefaced Greek: ancient theatre on film and classroom<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Keynote lecture<\/strong><\/div>\n<div style=\"text-align: center;\">15.30<\/div>\n<div style=\"text-align: center;\">Fiona Macintosh, Giovanna Di Martino (Oxford)<\/div>\n<div style=\"text-align: center;\"><em>Archiving and interpreting performance<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><strong>Digital archives<\/strong><\/div>\n<div style=\"text-align: center;\">Chair: Giorgio Ieran\u00f2 (Trento)<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">16.00<\/div>\n<div style=\"text-align: center;\">Andriana Domouzi (London)<\/div>\n<div style=\"text-align: center;\"><em>Creating DAPLAP: a database for the reception of fragmentary ancient Greek Drama<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">16.30<\/div>\n<div style=\"text-align: center;\">Sara Troiani, Giada Arcidiacono (Trento, Venezia)<\/div>\n<div style=\"text-align: center;\"><em>Parole e spazi del dramma antico sulla scena contemporanea: due progetti digitali del Laboratorio \u201cDionysos\u201d<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">17.00<\/div>\n<div style=\"text-align: center;\">Martina Di Stefano, Elena Sofia Capra (Pavia)<\/div>\n<div style=\"text-align: center;\"><em>Ricezione digitale: verso una digitalizzazione dell\u2019archivio audiovisivo del CRIMTA<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">17.30<\/div>\n<div style=\"text-align: center;\">Federico Boschetti, Gloria Mugelli (Pisa)<\/div>\n<div style=\"text-align: center;\"><em>Il metodo Euporia per creare nuovi archivi digitali sulla tragedia greca<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">18.00<\/div>\n<div style=\"text-align: center;\">Luigi Battezzato (Piemonte Orientale)<\/div>\n<div style=\"text-align: center;\"><em>Conference closin<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><em><a href=\"http:\/\/lama.fileli.unipi.it\/wp-content\/uploads\/2020\/09\/Ancient-Greek-Theatre-in-the-Digital-Age-1.pdf\">Programme Download<\/a><\/em><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>International Online Conference Ancient Greek Theatre in the Digital Age September 28th-29th 2020 GMEET ROOM:\u00a0meet.google.com\/bjn-uoum-ymi *** Organisers Sabina Castellaneta (Bari), Nadia Rosso (Piemonte Orientale) Scientific&#46;&#46;&#46;<\/p>\n","protected":false},"author":4,"featured_media":7717,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,12],"tags":[153,183,234,43,40],"class_list":["post-7716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferenze","category-news","tag-didattica","tag-digital-humanities","tag-euporia","tag-rituale","tag-tragedia"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["it","en","fr"],"languages":{"it":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false},"fr":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/7716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/comments?post=7716"}],"version-history":[{"count":4,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/7716\/revisions"}],"predecessor-version":[{"id":7744,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/posts\/7716\/revisions\/7744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/media\/7717"}],"wp:attachment":[{"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/media?parent=7716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/categories?post=7716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/en\/wp-json\/wp\/v2\/tags?post=7716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}