{"id":7274,"date":"2019-10-20T11:08:21","date_gmt":"2019-10-20T10:08:21","guid":{"rendered":"http:\/\/lama.fileli.unipi.it\/?p=7274"},"modified":"2019-10-20T11:08:21","modified_gmt":"2019-10-20T10:08:21","slug":"the-forgotten-theatre-2019-third-international-conference-in-ancient-fragmentary-drama-26th-29th-nov-2019-universita-di-torino-palazzo-del-rettorato-sala-principe-dacaja","status":"publish","type":"post","link":"https:\/\/lama.fileli.unipi.it\/fr\/the-forgotten-theatre-2019-third-international-conference-in-ancient-fragmentary-drama-26th-29th-nov-2019-universita-di-torino-palazzo-del-rettorato-sala-principe-dacaja\/","title":{"rendered":"The Forgotten Theatre 2019 &#8211; Third International Conference in Ancient Fragmentary Drama. 26th-29th Nov. 2019, Universit\u00e0 di Torino, Palazzo del Rettorato, Sala Principe d&#8217;Acaja"},"content":{"rendered":"<p>The Centro Studi sul Teatro Classico (University of Turin), in collaboration with the Albert-Ludwigs-Universit\u00e4t Freiburg and the Heidelberger Akademie der Wissenschaften, is delighted to circulate the DEFINITIVE PROGRAMME of the Third International Conference in Ancient Fragmentary Drama &#8211; The Forgotten Theatre (26th-29th Nov. 2019, Universit\u00e0 di Torino, Palazzo del Rettorato, Sala Principe d&#8217;Acaja).<\/p>\n<p>Attendance to the conference is free, though registration is required (register here:\u00a0\u00a0<a href=\"https:\/\/shorturl.at\/fkINX\" target=\"_blank\" rel=\"noopener noreferrer\">shorturl.at\/fkINX<\/a>\u00a0)<\/p>\n<p>Poster and Programme:\u00a0\u00a0<a href=\"https:\/\/shorturl.at\/ckpDO\" target=\"_blank\" rel=\"noopener noreferrer\">shorturl.at\/ckpDO<\/a>\u00a0\u00a0(\u00a0<a href=\"https:\/\/www.teatroclassico.unito.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.teatroclassico.unito.it<\/a>\u00a0)<\/p>\n<p>KEYNOTE SPEAKERS:<br \/>\nSimone Beta (Siena), Federica Bessone (Torino), Laura Carrara (Pisa), Adele Teresa Cozzoli (Roma Tre), Luigi Galasso (Cattolica Milano), Enrico Medda (Pisa), Michele Napolitano (Cassino E Lazio Meridionale), Jordi Redondo (Val\u00e8ncia);<\/p>\n<p>DISCUSSANTS:<br \/>\nEnrico V. Maltese (Torino), Elisabetta Matelli (Cattolica Milano), Bernhard Zimmermann (Freiburg-Heidelberg)<\/p>\n<p>SCIENTIFIC COMMITTEE<br \/>\nFederica Bessone (Torino), Simone Beta (Siena), Francesco Paolo Bianchi (Freiburg-heidelberg), Francesco Carpanelli (Torino), Adele T. Cozzoli (Roma Tre), Giorgio Ieran\u00f2 (Trento), Enrico V. Maltese (Torino), Michele Napolitano (Cassino e Lazio Meridionale), Bernhard Zimmermann (Freiburg-Heidelberg)<\/p>\n<p>SPEAKERS:<br \/>\nLuca Austa (Torino-siena), Giulia Baccaro (Pisa), Sofia Belioti (Berlin), Francesco Paolo Bianchi (Freiburg-Heidelberg), Francesco Boccasile (Roma Tre), Sandy Cardinali (Urbino), Francesco Carpanelli (Torino), Stefano Ceccarelli (Sapienza \u2013 Roma), Irine Darchia (Tbilisi), Mattia De Poli (Padova), Enzo Franchini (Cassino E Lazio Meridionale), Sonia Francisetti Brolin (Liceo G. Bruno \u2013 Torino), Menelaos Karantzas (Athens), Sabrina Mancuso (T\u00fcbingen), Nikos Manousakis (Athens), Virginia Mastellari (Freiburg-Heidelberg), Francesco Mori (Roma Tre), Micol Muttini (Siena),<br \/>\nVivian L.navarro Mart\u00ednez (Val\u00e8ncia), Athina Papachrysostomou (Patras), Matthew Payne (Leiden), Francesco Puccio (Padova), Sergio Russo (Messina), Mali Skotheim (Warburg Institute), Tommaso Suaria (Sapienza \u2013 Roma), Aitor Luz Villafranca (Aut. Madrid)<\/p>\n<p>COORDINATION<br \/>\nFrancesco Carpanelli (Torino)<\/p>\n<p>ORGANISERS<br \/>\nLuca Austa (Torino-Siena)<br \/>\nGiorgia Giaccardi (Torino)<\/p>\n<p>INFORMATION<br \/>\n<a class=\"mailto-link\" href=\"mailto:teatro.classico@unito.it\" target=\"_blank\" rel=\"noopener noreferrer\">teatro.classico@unito.it<\/a><br \/>\n<a href=\"https:\/\/www.teatroclassico.unito.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.teatroclassico.unito.it<\/a><\/p>\n<p>*<\/p>\n<p>CONFERENCE PROGRAMME<\/p>\n<p>Conference opening \u2013 26 Nov. 2019 \u2013 h. 14.30<br \/>\n14.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Carpanelli<br \/>\nInstitutional Greetings<br \/>\nPresentation of the Centro Studi sul Teatro Classico<br \/>\n14.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Luca Austa \u2013 Giorgia Giaccardi<br \/>\nConference Introduction and Presentation of Activities Scheduled for A.A. 2019\/2020<\/p>\n<p>PANEL I.1 \u2013 26 Nov. 2019 \u2013 h. 15.00<br \/>\nChair: Francesco Carpanelli (Universit\u00e0 di Torino)<\/p>\n<p>15.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Laura Carrara (Universit\u00e0 di Pisa)<br \/>\nTragedia o dramma satiresco? Tertium datur!<br \/>\nUna nuova prospettiva sulla composizione della tetralogia tragica<br \/>\n15.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tommaso Suaria (La Sapienza \u2013 Universit\u00e0 di Roma)<br \/>\n\u201cT\u1fc7\u03b4\u03b5 \u03b2\u03b1\u03ba\u03c7\u03b5\u1fd6\u03bf\u03c2 \u03b2\u03cc\u03c4\u03c1\u03c5\u03c2 \u1f10\u03c0\u2019 \u1f26\u03bc\u03b1\u03c1 \u1f15\u03c1\u03c0\u03b5\u03b9\u201d:<br \/>\nun \u03b8\u03b1\u1fe6\u03bc\u03b1 di ambito dionisiaco nel Tieste di Sofocle<br \/>\n16.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sabrina Mancuso (Universit\u00e4t T\u00fcbingen)<br \/>\nUn tentativo di ricostruzione degli Aleadi di Sofocle<\/p>\n<p>16.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n17.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL I.2 \u2013 26 Nov. 2019 \u2013 h 17.20<br \/>\nChair: Luca Austa (Universit\u00e0 di Torino \u2013 Universit\u00e0 di Siena)<\/p>\n<p>17.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Giulia Baccaro (Universit\u00e0 di Pisa)<br \/>\nBere sangue di toro per dimostrare la propria innocenza.<br \/>\nUna possibile interpretazione del fr. 178 Radt della Helenes Apaitesis di Sofocle<br \/>\n17.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sandy Cardinali (Universit\u00e0 di Urbino \u201cCarlo Bo\u201d)<br \/>\nTre note a Soph. fr. 659 R2<br \/>\n18.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sergio Russo (Universit\u00e0 di Messina)<br \/>\nSesso e guerra. Per una lettura del Troilo sofocleo<\/p>\n<p>18.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n18.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wine reception<\/p>\n<p>PANEL II.1 \u2013 27 Nov. 2019 \u2013 h. 9.20<br \/>\nChair: Adele Teresa\u00a0 Cozzoli (Universit\u00e0 Roma Tre)<\/p>\n<p>9.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Mori (Universit\u00e0 Roma Tre)<br \/>\nL\u2019ambiguo potere della parola: su un frammento del Tieste di Euripide<br \/>\n9.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Boccasile (Universit\u00e0 Roma Tre)<br \/>\nCitazioni agonali e schematismi (Teognide, Fenice, Ippolito):<br \/>\ncongetture, note esegetiche e ipotesi ai frammenti del Fenice euripideo<br \/>\n10.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aitor Luz Villafranca (Universidad Aut. de Madrid)<br \/>\nEuripides\u2019 Archelaos and the theatre in ancient Macedon<\/p>\n<p>10.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n10.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL II.2 \u2013 27 Nov. 2019 \u2013 h. 11.00<br \/>\nChair: Giorgia Giaccardi (Universit\u00e0 di Torino)<\/p>\n<p>11.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Carpanelli (Universit\u00e0 di Torino)<br \/>\nIl teatro prima di Alessandro: Dioniso I di Siracusa<br \/>\n11.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mali Skotheim (The Warburg Institute \u2013 London)<br \/>\nSmelling Roses with Chaeremon and Athenaeus:<br \/>\nSensory Approaches to the Ancient Reception of Greek Dramatic Fragments<br \/>\n12.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vivian L. Navarro Mart\u00ednez (Universitat de Val\u00e8ncia)<br \/>\nIncerti auctoris. Scambi di identit\u00e0 nelle fonti antiche: il caso di Meleto<\/p>\n<p>12.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n12.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lunch<\/p>\n<p>PANEL III.1 \u2013 27 Nov. 2019 \u2013 h. 15.00<br \/>\nChair: Simone Beta (Universit\u00e0 di Siena)<\/p>\n<p>15.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Virginia Mastellari (Universit\u00e4t Freiburg; Heidelberger Akademie der Wissenschaften)<br \/>\nEnioco fr. 5 K.\u2013A. e il Coro comico nella commedia di IV sec. a.C.<br \/>\n15.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stefano Ceccarelli (La Sapienza \u2013 Universit\u00e0 di Roma)<br \/>\n\u201cLa vita pi\u00f9 bella \u00e8 quella in campagna\u201d.<br \/>\nCampagna e contadini nella produzione frammentaria dell\u2019archaia<br \/>\n15.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sofia Belioti (Humboldt University \u2013 Berlin)<br \/>\nThe Dramatic Figure of exclusus amator: Hints of Performance in Hellenistic Erotic Epigrams (AP. V)<br \/>\n16.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Micol Muttini (Universit\u00e0 di Siena)<br \/>\nFrammenti di letture umanistiche ed esegesi dimenticate di Aristofane<\/p>\n<p>16.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n16.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL III.2 \u2013 27 Nov. 2019 \u2013 h. 17.00<br \/>\nChair: Elisabetta Matelli (Universit\u00e0 Cattolica \u2013 Milano)<\/p>\n<p>17.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Luca Austa (Universit\u00e0 di Siena)<br \/>\nMarco Aurelio latino.<br \/>\nL\u2019educazione \u2018drammatica\u2019 di un giovane principe<br \/>\n17.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Matthew Payne (Leiden University)<br \/>\nThe use of the translation paradigm in criticism and scholarship on Ennius\u2019 tragedies<br \/>\n17.40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonia Francisetti Brolin (Liceo Giordano Bruno \u2013 Torino)<br \/>\nLa Periboea di Pacuvio: l\u2019Eneo di Euripide come modello?<\/p>\n<p>18.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n18.20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wine reception<\/p>\n<p>PANEL IV.1 \u2013 28 Nov. 2019 \u2013 h. 9.00<br \/>\nChair: Enrico Medda (Universit\u00e0 di Pisa)<\/p>\n<p>9.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Donato Pirovano (Universit\u00e0 di Torino)<br \/>\nInstitutional Greetings<br \/>\n9.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Simone Beta (Universit\u00e0 di Siena)<br \/>\nSbatti il mostro sulla scena: la Sfinge nel teatro tragico e comico<br \/>\n10.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Puccio (Universit\u00e0 di Padova)<br \/>\nL\u2019altra Antigone. La vicenda della figlia di Edipo nei frammenti della tragedia euripidea<\/p>\n<p>10.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n10.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL IV.2 \u2013 28 Nov. 2019 \u2013 h. 11.00<br \/>\nChair: Enrico V.\u00a0 Maltese (Universit\u00e0 di Torino)<\/p>\n<p>11.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Adele Teresa Cozzoli (Universit\u00e0 di Roma Tre)<br \/>\n\u201cParolaio e straccione\u201d.<br \/>\nL\u2019eroe tragico euripideo nei drammi del primo periodo: un modello drammaturgico di successo<br \/>\n11.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Enrico Medda (Universit\u00e0 di Pisa)<br \/>\nL\u2019enigma del Fr. di Gige (TrGF Adesp. 664)<\/p>\n<p>12.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n12.15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lunch<\/p>\n<p>PANEL V.1 \u2013 28 Nov. 2019 \u2013 h. 15.00<br \/>\nChair: Francesco Carpanelli (Universit\u00e0 di Torino)<\/p>\n<p>15.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Federica Bessone (Universit\u00e0 di Torino)<br \/>\nEroi a pezzi. Frammenti di tragedia nell&#8217;elegia e nell&#8217;epica latina<br \/>\n15.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Luigi Galasso (Universit\u00e0 Cattolica \u2013 Milano)<br \/>\nDall&#8217;epica al dramma all&#8217;epica: riflessioni intorno all&#8217;Armorum iudicium di Accio<\/p>\n<p>16.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n16.15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL V.2 \u2013 28 Nov. 2019 \u2013 h. 16.30<br \/>\nChair: Francesco Paolo Bianchi\u00a0 (Universit\u00e4t Freiburg; Heidelberger Akademie der Wissenschaften)<\/p>\n<p>16.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Enzo Franchini (Universit\u00e0 di Cassino e del L.M.)<br \/>\n\u03c4\u03bf\u1fe6 \u03bb\u03bf\u03b9\u03b4\u03bf\u03c1\u03b5\u1fd6\u03bd \u1f00\u03c0\u03ad\u03c3\u03c4\u03b7: appunti per un profilo letterario di Ferecrate<br \/>\n17.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Athina Papachrysostomou (University of Patras)<br \/>\nSurface and Deep Parody: The Case of Middle Comedy<br \/>\n17.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mattia de Poli (Universit\u00e0 di Padova)<br \/>\nA pranzo con Menandro. Considerazioni sul sistema dei pasti nella commedia nuova<\/p>\n<p>18.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n18.15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wine reception<\/p>\n<p>PANEL VI.1 \u2013 29 Nov. 2019 \u2013 h. 9.00<br \/>\nChair: Bernhard Zimmermann (Universit\u00e4t Freiburg; Heidelberger Akademie der Wissenschaften)<\/p>\n<p>9.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Paolo Bianchi (Universit\u00e4t Freiburg; Heidelberger Akademie der Wissenschaften)<br \/>\nGoffredo Coppola e il teatro di Cratino<br \/>\n9.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Michele Napolitano (Universit\u00e0 di Cassino e del Lazio Meridionale)<br \/>\nI frammenti degli Agathoi di Ferecrate, o dei limiti della ricostruzione\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/>\u00a0<wbr \/><br \/>\n10.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jordi Redondo (Universitat de Val\u00e8ncia)<br \/>\nNew Attic uses on the comic stage: non-standard Devices covered by Dionisos<\/p>\n<p>10.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion<br \/>\n10.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee break<\/p>\n<p>PANEL VI.1 \u2013 29 Nov. 2019 \u2013 h. 11.00<br \/>\nChair: Teresa Prudente (Universit\u00e0 di Torino)<\/p>\n<p>11.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Irine Darchia (Tbilisi State University)<br \/>\nThe Suppliant Maidens II by Shota Iatashvili \u2013 Georgian Reconstruction of Danaid Tetralogy<br \/>\n11.30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Menelaos Karantzas (University of Athens)<br \/>\n&#8230;\u03bb\u03ae\u03b8\u03b7\u03c2 \u03c6\u03ac\u03c1\u03bc\u03b1\u03ba'[\u03b1]&#8230; = remedies for forgetfulness.<br \/>\nThe use of fragments of ancient Greek drama in contemporary performance<br \/>\n12.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nikos Manousakis (Universit\u00e0 of Athens)<br \/>\nSimulating Aeschylus: Theory and Practice of the Iliadic Trilogy<\/p>\n<p>12.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Carpanelli &#8211; Luca Austa<br \/>\nConference closing<\/p>\n<p>*<\/p>\n<p>Centro Studi sul Teatro Classico<br \/>\nUniversit\u00e0 di Torino<br \/>\n<a href=\"https:\/\/www.teatroclassico.unito.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.teatroclassico.unito.it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Centro Studi sul Teatro Classico (University of Turin), in collaboration with the Albert-Ludwigs-Universit\u00e4t Freiburg and the Heidelberger Akademie der Wissenschaften, is delighted to circulate&#46;&#46;&#46;<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-7274","post","type-post","status-publish","format-standard","hentry","category-conferenze"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"fr","enabled_languages":["it","en","fr"],"languages":{"it":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/users\/129"}],"replies":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/comments?post=7274"}],"version-history":[{"count":3,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7274\/revisions"}],"predecessor-version":[{"id":7277,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7274\/revisions\/7277"}],"wp:attachment":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/media?parent=7274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/categories?post=7274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/tags?post=7274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}