{"id":7656,"date":"2020-05-16T15:06:33","date_gmt":"2020-05-16T14:06:33","guid":{"rendered":"http:\/\/lama.fileli.unipi.it\/?p=7656"},"modified":"2020-05-16T15:06:33","modified_gmt":"2020-05-16T14:06:33","slug":"cfp-ancient-greek-theatre-in-the-digital-age-international-online-conference-september-28th-29th-2020","status":"publish","type":"post","link":"https:\/\/lama.fileli.unipi.it\/fr\/cfp-ancient-greek-theatre-in-the-digital-age-international-online-conference-september-28th-29th-2020\/","title":{"rendered":"Cfp: Ancient Greek Theatre in the Digital Age. International Online Conference. September 28th-29th\u00a02020"},"content":{"rendered":"
Organisers<\/strong><\/div>\n
\n

Sabina Castellaneta (Bari), Nadia Rosso (Piemonte Orientale)<\/p>\n

Scientific commettee<\/strong><\/p>\n

Francesco Carpanelli (Torino), Giorgio Ieran\u00f2 (Trento), Massimo Magnani (Parma), Anna Novokhatko (Thessaloniki), Luigi Todisco (Bari), Bernhard Zimmermann (Freiburg)<\/p>\n

Keynote discussants<\/strong><\/p>\n

Luigi Battezzato (Piemonte Orientale), Olimpia Imperio (Bari)<\/p>\n

Topics<\/strong><\/p>\n

The scientific meeting\u00a0Ancient Greek Theatre in the Digital Age<\/em>\u00a0aims to investigate the potentials and limits of the digital tool for the study of Greek Theatre. We especially invite papers that present experiences undertaken, project proposals and research perspectives relating to:<\/p>\n

a)\u00a0\u00a0\u00a0\u00a0\u00a0digital scholarly editions of ancient Greek theatrical texts, including fragmentary ones, and of the ancient scholia to theatrical plays, especially with reference to the debate about textual criticism and digital philology;<\/p>\n

b)\u00a0\u00a0\u00a0\u00a0\u00a0dynamic, collaborative and open access analyses of ancient Greek theatrical texts and new paradigms of textuality, authoriality and accessibility in the digital age;<\/p>\n

c)\u00a0\u00a0\u00a0\u00a0\u00a0digital archives of manuscripts, printed editions and modern performances of ancient Greek theatre; online lexica of ancient Greek theatre; databases of archeological and epigraphic material related to ancient Greek theatre; online repertories of props and costume designs in ancient Greek theatre; virtual reconstructions of ancient Greek stage settings and theatrical buildings;<\/p>\n

d)\u00a0\u00a0\u00a0\u00a0\u00a0online didactic strategies for studying ancient Greek theatre, starting from the experiences concretely gained by the scientific and academic community during the ongoing health emergency.<\/p>\n

The aim of the Conference is to use digital tools \u2013 the only means, as of today, to ensure an exchange of ideas between scholars \u2013 to reflect on the digital challenge for the analysis of Greek theatrical texts, surviving and fragmentary, and of the theatrical phenomenon in its totality.<\/p>\n

Organization<\/strong><\/p>\n

The meeting is organized by the University of Bari and will be held online. This session is part of the Widespread Conference on Ancient Drama promoted by the\u00a0Centro Studi sul Teatro Classico\u00a0of University of Turin.<\/p>\n

Proposals<\/strong><\/p>\n

Speakers intending to participate in the Conference\u00a0Ancient Greek Theatre in the Digital Age<\/em>\u00a0are invited to send an e-mail to\u00a0sabina.castellaneta@uniba.it<\/a>\u00a0by July 5th<\/sup>\u00a02020 following these instructions:<\/p>\n

    \n
  1. object: \u201cCandidacy to Widespread Conference Bari\u201d;<\/li>\n
  2. attachments (in pdf format):<\/li>\n<\/ol>\n

    \u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0an anonymous abstract written in Italian or English (maximum word count: 300 words), specifying title and research field of the paper proposal (a. digital scholarly editions; b. dynamic analyses; c. archives and repertoires; d. didactic strategies);<\/p>\n

    \u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0a brief\u00a0curriculum vitae\u00a0<\/em>(in Italian or English), which will list University affiliation, relevant degrees and publications (maximum word count: 300 words).<\/p>\n

    The Scientific Committee is responsible for accepting or rejecting papers. The organisers will inform the proposers by July 20th<\/sup>.<\/p>\n

    Papers can be given in Italian, English or French and they should not be longer than 30 minutes.<\/p>\n

    The organisers plan to submit the conference proceedings for publication. Publication will be overseen by the Scientific Committee and will be subject to a process of blind peer-review.<\/p>\n

    Timeline<\/strong><\/p>\n

    May 7th<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0open call for papers<\/p>\n

    July 5th<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0deadline for the call for papers<\/p>\n

    July 20th<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0acceptance of the successful proposals<\/p>\n

    Sept. 28th<\/sup>-29th<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0International Online Conference<\/p>\n

    Webpage: http:\/\/www.teatroclassico.unito.it\/it\/content\/convegno-telematico-%C2%ABancient-greek-theatre-digital-age%C2%BB-bari-2020<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Organisers Sabina Castellaneta (Bari), Nadia Rosso (Piemonte Orientale) Scientific commettee Francesco Carpanelli (Torino), Giorgio Ieran\u00f2 (Trento), Massimo Magnani (Parma), Anna Novokhatko (Thessaloniki), Luigi Todisco (Bari),...<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-7656","post","type-post","status-publish","format-standard","hentry","category-conferenze"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"fr","enabled_languages":["it","en","fr"],"languages":{"it":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/users\/129"}],"replies":[{"embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/comments?post=7656"}],"version-history":[{"count":3,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7656\/revisions"}],"predecessor-version":[{"id":7659,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/posts\/7656\/revisions\/7659"}],"wp:attachment":[{"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/media?parent=7656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/categories?post=7656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lama.fileli.unipi.it\/fr\/wp-json\/wp\/v2\/tags?post=7656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}